Издател: УИ „Св. Климент Охридски"
Целта на изследването е да илюстрира и докаже редица особености на развоя на Джойсовата повествователна техника в отдалечаването му от традиционните методи на класическия роман на деветнайсети век (с неговата типична линеарност и авторитарен всезнаещ повествовател) към модерния роман, в който ролята на повествователя отслабва за сметка на така наречената естетика на косвеността.
Introduction
A Statement of Purpose....................................................................9
Theoretical Premises......................................................................11
M.M.Bakhtin: An Overview..........................................................15
Bakhtin and Kenner.......................................................................22
Chapter One
A Short Survey of Relevant Joyce Criticism
Early Reception and Influential Critical Studies............................25
Focusing on Style and Technique..................................................32
Chapter Two
The Gestation and Birth of the Artist
The Pre-text: 'A Portrait of the Artist'...........................................42
From Stephen Hero to A Portrait of the Artist as a Young Man ....46
The Stephenesque Portrait of the Artist.........................................66
The Artist as a Young Man.............................................................77
Chapter Three
Different Yet the Same: the 'Telemachiad'
'Telemachus'..................................................................................99
'Nestor'........................................................................................117
'Proteus'.......................................................................................130
Chapter Four
The Same Yet Different
The Same...................................................................................140
...Yet Different............................................................................145
Chapter Five
Speech acts
Everything speaks.......................................................................159
... in its own way..........................................................................164
'But Act. Act Speech'...................................................................193
Conclusion..........................................................................................196
Appendix
1. Recurrent Elements in the Dollymount Episode (P, Ch.V).............204
2. 'The Overture' (P, Ch.I)...................................................................205
3. The Voice of the Child Stephen.......................................................207
4. The 'What Birds Were They?' Episode (P, Ch.V)...........................208
5. Synecdoche: Buck Mulligan's Face/Head.......................................211
6. The Bible, Dante, Milton, Yeats.......................................................212
7.'Eumaeus'.........................................................................................214
Notes...................................................................................................216
Bibliography.....................................................................................221
Резюме....................................................................................232
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